To save Manhattan, they’ll have to save each other first…
1925 New York
Arthur Kenzie’s life’s work is protecting the world from the supernatural relics that could destroy it. When an amulet with the power to control the tides is shipped to New York, he must intercept it before it can be used to devastating effects. This time, in order to succeed, he needs a powerful psychometric…and the only one available has sworn off his abilities altogether.
Rory Brodigan’s gift comes with great risk. To protect himself, he’s become a recluse, redirecting his magic to find counterfeit antiques. But with the city’s fate hanging in the balance, he can’t force himself to say no.
Being with Arthur is dangerous, but Rory’s ever-growing attraction to him begins to make him brave. And as Arthur coaxes him out of seclusion, a magical and emotional bond begins to form. One that proves impossible to break—even when Arthur sacrifices himself to keep Rory safe and Rory must risk everything to save him.
This book is fun as hell. Therin has done a fine job of creating the look and feel of 1925 New York City, as well as touching on the differences among the social strata. The paranormal world building is lightly overlaid on real events and places to create a compelling history, as well as a good deal of suspense and mystery.
I keep telling myself that I don’t like historical romances (paranormal or not) because of the dismal attitudes toward homosexuality. K.J. Charles proved how wrong I was (about the romances, not the homophobia, alas), though, and now Allie Therin has soundly put the idea to rest.
Rory and Ace are such a great couple, and the cast of characters are a hoot as well. I especially loved Rory’s arc throughout the book as he learns that he doesn’t have to hide and try to escape everyone’s notice, and is in fact someone worthy of another’s affection. Ace is cynical and snarky, and a perfect foil for Rory’s naiveté. I am really looking forward to seeing their relationship develop over the rest of the series.
I listened to the audio version of this, performed by Erik Bloomquist. As frequently happens with prolific performers, I have heard his work in other books (Charlie Adhara’s Big Bad Wolf series). It took a bit to recalibrate to the voices of this particular book, but once that was settled I really enjoyed Bloomquist’s performance. Not only does he provide clear difference between that characters’ voices, he captures their vocal tics and accents well. His dry, sardonic delivery of Ace’s dialogue is just perfect, too.
If you’re looking for an entertaining and at times suspenseful historical paranormal romance, this is an outstanding choice!
At the end of each year, I like to look back and highlight some one my favorite books of the year. These were selected from books I read in 2020, not necessarily what was first published in 2020. First, the numbers:
Books read this year: 103
Did Not Finish: 2% (man, were they dreadful)
3-Star Ratings: 16%
4-Star Ratings: 35%
5-Star Ratings: 49%
Number of Audiobooks: 39
Pages Read/Listened To: 24,242
(I’ve explained elsewhere why there’s usually no 1-star or 2-star ratings, and why my ratings skew higher.)
That’s enough of that. On to the good stuff! As it turned out my favorite books of the year easily broke down into categories: m/m romance and urban fantasy. Four of my top five m/m romance books/series were set in Australia, and three of those have an asexual/demisexual main character. The latter is a lot easier to explain than the former: I identify as a gray-asexual/demisexual (homoromantic) man, and representation matters. That aside, with the quality of their writing and descriptions of the locales, all of these authors have made a powerful case for visiting Down Under!
My absolute favorite book of the year is one that I recently reviewed here, The Gentle Wolf (Perth Shifters #2), by Pia Foxhall. I urge you to ignore the fact that it’s #2 in the series – it can be read as a standalone. Great worldbuilding and relatable characters (not just the main characters – the entire cast!) elevate a strong story into something really special. Read my full review here.
Continuing on the theme of Australian shifters, Furborn by Isabelle Rowan was a delight. The setting, in the sheep country of Victoria outside of Melbourne, was new to me and the descriptions of the area were fascinating. This is a story of fox shifters slowly being forced into hiding by the encroachment of modern living, and of one fox who befriends a farmer’s son who would rather be anywhere else. It takes its time and allows the relationship between the two to slowly develop, and I found the conclusion wonderfully satisfying.
Moving on to contemporary stories, I enjoyed N. R. Walker’s Upside Down very much. No one writes adorkable like Walker, and it is always quite endearing. Sidney resident Jordan is a lovable goof, but also a complete mess as he tries to reconcile his asexuality with his attraction to Hennessey. I can identify closely with coming to terms of where you fall on the asexual spectrum, and as such this book really spoke to a lot of my experiences. This is a lovely, low-angst story that is well-worth your time. Here is my full review of the book.
Keira Andrews’ Honeymoon for One is an adorable collection of romance tropes – hurt/comfort, friends-to-lovers, and probably a few others – in a single story. Ethan finds his fiancé in bed with another man the night before their wedding, then says to hell with it and goes on their (pre-planned, pre-paid) honeymoon by himself. There are complications, of course, including the fact that Ethan is losing his hearing. I thought this aspect was handled thoughtfully, and really felt for Ethan’s struggles trying to navigate a world where full hearing is taken for granted. The book turns into a bit of a travelogue as the tour bus he had booked travels from Cairns to Sidney, all while Ethan and Clay, the tour bus driver, fall for one another. I listened to this as an audiobook, and it was a case where the performance by the narrator (the ever-talented Joel Leslie) really enhanced the experience. He does accents and dialects so well, and I appreciated how the effect of Ethan’s hearing loss came across.
Finally in my Top Five are the first two books in Lily Morton’s Finding Home series: Oz and Milo. These take place in the Cornish countryside in the UK, and are a fine example of how compelling great characters can be. Oz is from a working-class Irish/English family and somehow winds up with the job of Estate Manager for the Earl of Ashworth (but please, really, just call him Silas). Oz is delightfully snarky and all of the dialogue is so much fun! The chemistry between Oz and Silas is so good. Milo, on the other hand, grew up in an aristocratic family. He is sweet and shy, and usually has good control over his stutter unless flustered. He is definitely flustered by his older brother’s best friend Niall, a brash and coarse man who was always protective of Milo. The blossoming relationship between the two made me smile. There’s one more book in the series; I’ll be starting off 2021 with that!
Moving on to my other favorites, these fell neatly into the urban fantasy genre. The market is a crowded field, and it seems that some get tucked away into the m/m romance niche because the main characters happen to be men who love other men. This spins into a big rant for me about book marketing and genres and institutionalized homophobia that I’m not going to get into right now. Anyway, here are five urban fantasy books/series that I think are worthy of note.
I’ll start out with Hailey Turner’s Soulbound series, and oh my gosh! This is one of those series where I want to buy a bunch of copies of Book 1 to shove into people’s hands, saying “Just read this. You’ll thank me.” The worldbuilding here is fantastically intricate, interweaving magic users as part of the military, direct intervention by gods from all possible pantheons (and what a pain in the ass they can be), and all variety of supernatural beings. Multiple plotlines are woven through the series, and Turner keeps everything going at a breakneck pace in all five books (and Book 6 is coming in March 2021!). Patrick Collins, former Mage Corps soldier and now federal agent is reluctantly in the vanguard against the demonic forces of hell (in all its incarnations), accompanied by Jonothan de Vere, his smoking hot (and badass) werewolf boyfriend. Each book takes us to a different locale, with some, um, impressive collateral damage (the events in Chicago are pretty epic). There are a lot of characters involved and a lot of action, but I never had any problem following what was going on. Turner has done an amazing job with the plotting and character arcs here. I listened to all of these as audiobooks, and Gary Furlong is masterful in keeping the different character voices separate and easy to follow. If you like audiobooks, these are a great choice!
Turning to a very different setting and tone, we have T.J. Klune’s House in the Cerulean Sea. This is one case where the blurb says it the best:
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he’s given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not they’re likely to bring about the end of days.
But the children aren’t the only secret the island keeps. Their caretaker is the charming and enigmatic Arthur Parnassus, who will do anything to keep his wards safe. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
The descriptions of the Department in Charge of Magical Youth immediately put me in mind of Terry Gilliam’s Brazil. This contrasts starkly with the idyllic Marysas Island Orphanage. There’s a lot going on in this book beneath the obvious, and the hints of how Linus’ demeanor changes throughout the story are a lot of fun to follow. This was different from any other book I’ve read in recent memory (although there are some interesting parallels that could be drawn with Klune’s The Bones Beneath My Skin).
Finally, a series that is plain ol’ mainstream [heterosexual] urban fantasy. Given its success, it is not a great surprise that Patricia Briggs’ Mercy Thompson universe has given rise to a whole genre of action-oriented urban fantasies with strong female protagonists (which is pretty awesome, I think). Some series have been less than successful, but K. N. Banet’s Jacky Leon books are a whole lot of fun. The setup is intriguing: modern-day society, but the existence of werewolves (whose wolf looks more like a dire wolf) is known to the public. What is not known is the existence of the rest of the supernatural world – vampires, fey, and other werecreatures. Jackie Leon is a werecat (whose cat looks more like a saber-toothed tiger). She’s trying to lay low and live a quiet life, running a dive bar in Jacksonville, Texas. Fate has other plans for her, of course. I’ve read (well, listened to) the first three books of the series, and I’ve been really impressed. The plotting is tight and the action moves along at a good clip. The cast of characters is great fun, and the political intrigue adds an additional tension to the events that I like. I look forward to reading the other books in this series!
Finally, although I like to use these wrap-ups to highlight great books of the year, I have a dishonorable mention: Anne Bishop’s The Others alternate-history series. The first two books were interesting, if written a bit archly, and quite slow-moving until the final act. The third book is when it all comes crashing down, though. Some egregious retconning and flat-out stupidity on the part of the main characters left me sorely disappointed, feeling like the first two books were a waste of time. I’m out.
Anyway, to end on a happier note, here are some of the honorable mentions from this year:
Convicted, Conned, and Caroled, The Bureau Books 5, 6, and 7, by Kim Fielding (more entries into Fielding’s paranormal historical series, with some interesting developments and a big reveal for a recurring character)
Raised in a conservative clan, Asher Grant has done everything he could to be a good alpha. A good son. But denying his needs has made him weak, and he’s lost touch with his bear. No longer able to shift, his clan rejects him instead of helping. Desperate, there’s only one place Asher can turn.
Trey Carver leads his pack with a firm but gentle hand. Under his guidance, his wolves have flourished. Asher knows he won’t be welcome among the wolves, but Trey has something he needs. Asking for it isn’t easy. Accepting it when it’s offered is even harder.
As Trey teaches Asher the beauty of dominance and submission, Asher begins to heal. Accepting his true self has a power all its own. When Trey makes the ultimate offer, Asher feels honor bound to deny it. Can a wolf convince a bear that they are meant to be?
I’ll start this review by noting that I was provided an advance readers copy for reasons mentioned below, but I am happy to provide an independent review.
I really enjoyed this. It’s told entirely from Asher’s point of view, and we get a close look at his insecurities and doubts. He is an outcast for not living up to his clan’s perceptions of what he should be and feels a complete failure. At his heart, though, he is a smart, sensitive man who just doesn’t fit expectations. I could wish we had some of Trey’s POV to have a better sense of his reactions, but I also understand how that could take the reader out of the story. The scenes of Asher and Trey just talking and learning about one another are what made the story for me, and they make a great couple.
D/s is not typically my thing, but I understand the mechanics of it and can absolutely sympathize with the power exchange concept (even a control freak like me can see the attraction of letting someone else make the decisions sometimes). I liked that it was made clear that being a sub doesn’t mean “anything goes”. If a sub has questions or concerns, it’s OK to do say so. Like any relationship, communication is what makes it work. Those aspects are what helped me connect more with the scenes here.
Oh, and about that ARC? If you note my username, and the fact that I have two sweet dogs, Nora and Charlie, you’ll understand. Any similarities beyond the names are purely coincidental, but it was a delightful surprise from Kris (although my Nora is every bit as sassy as the Nora in the story!).
I loved this fun, sexy novella! I look forward to reading more tales of the Carver pack.
I wanted to take a moment to look back on 2019 and mentioned a few of the fantastic books I read last year (note these are not books that came out in 2019, but books I read in 2019). Although I usually read m/m romances almost exclusively, two of my favorites were from outside the genre, proving that sometimes a little variety can always be a good thing!
First, the best of the year: A big chunk of my reading last year was consumed by Patricia Briggs, who writes some of the best urban fantasy I’ve come across. All of the books in her Mercy Thompson series were almost uniformly great, and even when they weren’t quite 100% they were still really enjoyable. I am impressed that after 12 books (starting with Moon Called), while there’s still a hint of a formula to each book there’s enough new and interesting things going on that everything remains fresh and exciting. The Alpha and Omega spinoff series (five books, starting with Cry Wolf) ties into the main series in some ingenious ways, sharing the occasional side-character and events, even though the main characters of the two series never meet face to face. This series was fun because, having established a fascinating world, Briggs is free to use different narrative conventions and plot twists that wouldn’t be possible in the main series. Both of these series are really enjoyable!
Lee Welch’s Salt Magic, Skin Magic was a delightful find. It’s a paranormal mystery set in a Victorian England where magic is real and such a commonplace thing. I loved this one because the spark between the two main characters was so well-written, the mystery was a challenging puzzle, and the ending was supremely satisfying.
In a similar vein, K.J. Charles’ Spectred Isle was a delightful foray into a magical Victorian England, though here magic is much more secretive. This is another mystery, and as shown in previous works that I raved about last year, Charles is skilled at weaving a complicated web of a mystery, then revealing it little by little. This particular book was great fun because of the banter between the new-to-magic Saul and experienced magician Randolph. The ending is a tour de force that ties things together brilliantly. In addition to this, The Secret Casebook of Simon Feximal is a collection of short stories that serves as a prequel of sorts to Spectred Isle featuring some historical figures spoken of with reverence there. For all that short stories often leave me wanting more depth and development, this is a great read and a worthy addition to the world that Charles has built.
Two books by T.J. Klune make this list. Ravensong is the sequel to Wolfsong, which I absolutely adored in print and in audiobook. Ravensong continues the story, and in true Klune fashion, ripped my heart out and stomped all over it. Seriously, how Klune manages to keep such a high quality of writing going I’ll never know, but I’ll sure appreciate it! The other book is The Bones Beneath My Skin, an odd one-off novel that’s a departure from most of his usual themes, but the writing style is still familiar. In tone, I would place it toward Into This River I Drown (another tour de force, and a story which is slyly referenced here) but the atmosphere is a lot less somber. Great characters drive a great story – I really liked this one.
After enjoying their Hexworld series and Whyborne and Griffin series, I was delighted to pick up Jordan L. Hawk’s Spectre Series 1. These are written in the sense of a “season” of a TV series, which each book having its own plot but also an overarching plot that spans all six books that gets resolved in the finale. I really enjoyed the moody side of Charleston, South Carolina that serves as the backdrop to these paranormal stories, and the characters allow Hawk to have a lot of fun with disparate personalities, and the problems that arise when you have three people, but only two bodies. Oh, and one of those three is a few thousand years old.
Finally, there’s Gary Paulsen’s Winterdance: The Fine Madness of Running the Iditarod. This nonfiction autobiographical book tells the story of how Paulsen was bitten by the mushing bug and drawn into the world of sled dog racing. This was an incredible read, filled with laugh-out-loud moments, some terrific personal insights and thoughts about the relationship between humans and dogs, and moments that moved me to tears. Even if you’re not a fan of sled dog racing, this is worth picking up.
There are also a couple of books that deserve honorable mention:
Stealing His Heart by Bru Baker is a spinoff from her Camp H.O.W.L. trilogy. Nothing terribly complex, but still an enjoyable story, with werewolves. Werewolves always make things better, but I might be biased.
In Any Light by Sam Burns is a lovely short story, a brief detour in The Rowan Harbor Cycle to explore the relationship between side characters Isla and Cassidy. I love these characters, and the fact that Isla is ace made me smile a lot when she found her “happy for now”. The ending definitely had me tearing up.
The Long Way Home by Z. A. Maxfield is a tense paranormal thriller that had a great mystery and even better chemistry between the main characters. There were a few stumbles at the that took this out of the ‘best of’ running, but I still enjoyed the book. I’m kind of sad there wasn’t a sequel because I’d love to read more of these guys!
N. R. Walker’s Finders Keepers was hugely enjoyable. I jokingly accused her of secretly working for the Australian tourist board because the descriptions of Coolum Beach and Australia’s Sunshine Coast made it sound like an absolute paradise. This is a fun, low-angst story with a fun twist on the meet-cute trope where the main characters ‘meet’ over text messaging and get to know each other before they ever meet face to face.
Finally, I want to return to Mercy Thompson’s world to mention Faerie Gifts, an ongoing fan fiction series by Liv Campbell and William Alexander on Archive of Our Own. I really enjoy how the authors retain the feel of Patricia Briggs’ Mercyverse while bringing in new characters in an entirely different location in the world. Also, Sam the werewolf is absolutely freakin’ adorable!
2020 is already off to a great start, and I look forward to adding many great books my best of 2020 list! As always, you can find me on Goodreads as Duncan Husky, plus there you can find my reading lists of m/m shifters, m/m werewolves, and m/m paranormal books.
Jordan O’Neill isn’t a fan of labels, considering he has a few. Gay, geek, a librarian, socially awkward, a nervous rambler, an introvert, an outsider. The last thing he needs is one more. But when he realizes adding the label ‘asexual’ might explain a lot, it turns his world upside down.
Hennessy Lang moved to Surry Hills after splitting with his boyfriend. His being asexual had seen the end of a lot of his romances, but he’s determined to stay true to himself. Leaving his North Shore support group behind, he starts his own in Surry Hills, where he meets first-time-attendee Jordan.
A little bewildered and scared, but completely adorable, Hennessy is struck by this guy who’s trying to find where he belongs. Maybe Hennessy can convince Jordan that his world hasn’t been turned upside down at all, but maybe it’s now—for the first time in his life—the right way up.
Nobody writes adorkable like N.R. Walker! Her low-angst, character-driven novels are always refreshing and enjoyable, and this book was no exception. Jordan is a nerdy sort, whose social anxiety leads to nervous chatter which actually gets to be pretty endearing. Hennessy is more laid-back, but more of a techno-geek. What begins as an crush on a stranger on a bus blossoms into something beautiful and charming.
One of the things that I loved about this book were the side characters: Merry, Jordan’s stoic co-worker and best friend, Angus, Jordan’s sweet-but-dense roommate, Michael, Hennessy’s best friend and boss. I especially got a kick out of “The Soup Crew”, strangers on the bus who become invested in Jordan and Hennessy’s growing relationship. As I’ve seen in other books, Walker has a tendency to tie the side-characters together neatly with some convenient coincidences, but that’s a minor nitpick.
As mentioned in the blurb, the story is about an asexual relationship, and Jordan’s coming to terms with his own asexual orientation. Recognizing that this is a concept that is new to many, Walker makes an effort to clearly explain what asexuality is and is not, and that is something that is much appreciated. As a man who continues to come to terms with his own asexuality this book spoke to me on a very personal level, and I could absolutely identify with a lot of Jordan’s feelings. The fact that asexuality is a spectrum not a fixed point is frequently frustrating, and for that reason Jordan’s self-doubt is quite relatable.
I listened to this on audio and while the story was great, I had some minor issues with Glen Lloyd’s narration. Some pauses between chapters and paragraphs where the setting changes would be appreciated. Also, the voices used for Hennessy and Jordan were very similar, at least to my American ear, making it difficult to tell who was talking at times.
I really enjoyed Upside Down and would highly recommend it to anyone, though it is especially good if you want to learn more about asexuality.
Rune Saint John, last child of the fallen Sun Court, is hired to search for Lady Judgment’s missing son, Addam, on New Atlantis, the island city where the Atlanteans moved after ordinary humans destroyed their original home.
With his companion and bodyguard, Brand, he questions Addam’s relatives and business contacts through the highest ranks of the nobles of New Atlantis. But as they investigate, they uncover more than a missing man: a legendary creature connected to the secret of the massacre of Rune’s Court.
In looking for Addam, can Rune find the truth behind his family’s death and the torments of his past?
There was once a large land off what we know as the east coast of North America, Atlantis. They were a race of beings who possessed magic and used that magic to hide their existence while meddling in human affairs however they liked. This was all well and good until the first man in space looked out the window and saw something which should not be there. This discovery started a sequence of events that escalated to the Atlantean World War, a war that the Atlanteans lost. The decimated race retreated to the island of Nantucket, where they have created their own society in parallel with humans, consuming human popular culture, but with its own social mores and politics.
All of this has occurred before The Last Sun’s story begins, but the world-building here is glorious. With the Atlantean ability to translocate entire tracts of land to their island, we get an urban fantasy that has just enough of a touch of the real world to keep it anchored (and to easily envision where events are occurring). One of the gratifying things here is that this is all in the background, tacitly understood, which allows the story to flow around it.
And flow it does! We take up the story of Rune Saint John, disgraced child of a ruined family, eking out an existence on the fringes of Atlantean society. He is accompanied by his Companion, Brand, his bodyguard and best friend to whom he is linked empathically. What follows is part caper, part mystery, part political intrigue. Rune and Brand are great foils for one another, and the banter between them shows the underlying affection despite occasional exasperation.
To go any further into the plot gives away all kinds of spoilers, unfortunately. Technically speaking, though, this book is outstanding. The narrative framing, the development of the side characters, and the bit-by-bit unraveling of the mystery are all handled perfectly. This is the kind of book that when you get to the end, you’re sad that there’s not more. Great news, though! The sequel, The Hanged Man, is out and it is every bit as good as this book, if not better.
I listened to this book on audio, narrated by Josh Hurley. This is definitely not just narration, though! Hurley delivers a masterful performance, capturing the emotions and inflections of each character. Every character is distinct, and each develops a trademark way of speaking. I especially lover Brand’s snarkiness, and Addam’s Russian accent, which becomes more pronounced the more emotional he is. Hurley’s work made an excellent book even better!
Finally, two notes about this book. First, there is frank discussion of rape and abuse and the consequences thereof. It is handled thoughtfully and sensibly and is an important part of the story. Second, for all that this book came to my attention as an M/M romance, it would be far better classified as urban fantasy with characters who happen to not be straight. I would highly recommend this book to any fan of urban fantasy; without a doubt it is one of the best books I’ve read in the last five years.
Sawyer Holt can’t go home. The Alpha who has replaced his father wants to use him as a tool to cement his political power, and Sawyer isn’t interested in marrying his father’s murderer.
Dez Sullivan’s leg may never heal from his last mission in Afghanistan, but he’s getting used to that. What he can’t adapt to are the nightmares and the tremor in his hand that the doctors insist is all in his head. Next to that, being a brand new werewolf seems easy, until Sawyer Holt blows into his life. The omega activates his burgeoning wolf instincts in a new way, and they threaten to overwhelm his common sense.
Both men are in Colorado searching for a new start, a new pack, and the safety they’ve lost. Their meeting is pure Kismet.
Rating: 4.25 out of 5
was a lovely read! The plot is nothing particularly complicated, but that’s OK
because it left more time to focus on the characters. Dez, Ash, and Gavin are
war buddies who have recently left the service following a vaguely-described
incident that left Dez with a crushed leg, tremors, and major PTSD. Oh, and as
a result of that incident Dez and Gavin are newly-minted werewolves. Minor
point, I know. Sawyer has been assumed to be delicate and fragile all of his
life, but underneath that is a fierce determination. He and Dez are a great
couple, and I enjoyed seeing the sparks between them.
of the things that I loved about this book is how it upends some typical
werewolf tropes: Fated Mates (though we skirt that a bit), There Can Be Only
One Alpha, and others. Of course, other tropes are knot avoided, but it’s all
part of the fun. Dez and Gavin have only been werewolves for 5 or 6 weeks and
are still ignorant of many of the traditions and cultural expectations. For the
most part that doesn’t matter since it’s just the three of them isolated in the
Colorado mountains, but it leads to some humorous moments as they make a faux
pas, then shrug it off. They’re soldiers first, then werewolves second, and act
I have any complaint it’s that I would have liked to have seen more detail
about what the mysterious event in Afghanistan was and how it affected Gavin
and Ash, but I suspect that will be found in future books in the series. This
is the foundation for a great series, and I look forward to the next book!
I wanted to like this book so much! I am a complete sucker for the Undiscovered Hero trope (aka “Yer a wizard, Harry!”) and that’s definitely in play here. The world it is set in is interesting, the characters engaging and funny, and the plot is a fun one. So why didn’t it wow me?
The problem here is entirely in the writing. The author spends way, way too much time telling, not showing. As an example: early on, the main character is injured and must spend an extended time recovering. Days pass and many conversations are had with the supporting characters, and yet in all of that this is not a word of dialogue. Instead, it’s “X talked to Y about [topic] and learned [thing].”
And then there’s the world-building. I strongly believe that if an author is going to have magic (or politics, or complicated relationships) then this should all be laid out on paper ahead of time so that when the author writes the story they have a reference to keep things consistent. The issue here is that several entire chapters are spent describing the specific mechanics of magic performed by the main character. This complexly derails the plot and removes any sense of urgency for the reader. Now, I want to say that what is described is interesting, and if I was reading a book about how to construct a theoretical system of magic that is coherent and believable, this would be great! But that’s not what the reader is here for. Instead it’s page after page of exposition and painfully detailed descriptions.
I think of it this way: A good approach for something like this would be the blind men and the elephant, where the reader learns small parts of the cohesive whole as the story progresses, and maybe pieces it all together by the end of the story (or series). Instead, this book has a detailed description of every square centimeter of the elephant.
Even after all of this, though, I would be willing to check out a sequel, because I really do like the characters and setting. I can only hope that the writing is whittled down a bit so that the plot is in the forefront and the minute details are perhaps less explicitly described.
A final note: this is definitely not a m/m romance book. As others have noted it falls more under queer urban fantasy (which I enjoy as well!).
After too long away from writing these reviews, I wanted to do a quick roundup of what I’ve been reading (and listening) to lately. First, some audiobooks:
SPECTR Series 1, by Jordan L. Hawk, narrated by Brad Langer – I just loved the premise of this series of novellas: Regular guy Sean dies (briefly) in an accident and is possessed by a powerful spirit. When he is revived through CPR he finds that he’s not alone in his own head. This could get a little silly, but Hawk has a deft touch with the characters and creates a lovely romance between Sean and the government agent…and the spirit.
I haven’t come across this approach to a book series before but think of it like a season of a television show: an individual plot line for each “episode” (novella) with an overarching plot across the books. It works well here! Langer’s northeastern-US accent (somewhere between NYC and Boston, to my ear) is a little incongruous for stories set in and around Charleston, South Carolina, but once I got used to it I found he did a fine job. Now to move on to Series 2…
Tyack & Frayne, Books 1-3 (Once Upon a Haunted Moor, Tinsel Fish, Don’t Let Go), by Harper Fox, narrated by Tim Gilbert – My goodness, does Harper Fox know how to set a mood! These books (the first three of a nine-book series) take place in Cornwall, and Fox paints a picture of a countryside sometimes delightfully alive, but sometimes oppressively dreary. Here we have Gideon, a steadfast police officer disinclined to believe in the paranormal, and Lee, a psychic who proves Gideon wrong. The attraction between these two characters is lovely, and they make a great couple. These are mystery/suspense books, and while they were engaging at times I felt there were some narrative threads that got dropped along the way or needed more explanation.
Werewolves of Manhattan, Books 1 and 2 (His Omega, Remy’s Painter), by A. C. Katt, narrated by Joel Leslie – Don’t. Just don’t. Friends don’t let friends read bad werewolf smut. I mean, unless you’re into characters who are at times cartoonish, world-building that is not internally consistent, and guys who call their boyfriend “Baby” a lot. The only redeeming features of these are that I downloaded them for “free” as part of Audible’s Escape package (think Kindle Unlimited but for romance audiobooks), and Joel Leslie, who is always an excellent performer. If you have to pay for these, I suggest using that money for better things, like a pack of gum or something.
Alpha & Omega, Books 1-5, by Patricia Briggs, narrated by Holter Graham – Wow, these were a whole lot of fun! I thoroughly enjoyed the 12 (!) Mercy Thompson novels by Briggs. It was fascinating to see the different narrative approaches she took in this series, set in the same world and overlapping at times, but mainly only in the sense they are on the same timeline. It was fun to see some small events which were alluded to in the MT books get a fuller explanation in this series. I really liked Anna and Charles, though Charles could be a bit opaque at times; that’s the nature of the character though so it makes sense. I enjoyed Anna’s sense of wonder in the beginning of the series, and how that colored her outlook as the series went on. The plotting on these can be intricate, and Briggs excels at populating her world with delightful characters and clear motivations (even if those motivations don’t become apparent until the end of the story). I highly recommend this series even if you haven’t read the Mercy Thompson books. They’re urban fantasy at its finest.
How to Run with the Wolves, by Eli Easton – This is book 5 of the “Howl at the Moon” series by Easton, a delightful world where there are the Quickened, humans who can shift into dogs and have created their own isolated town, Mad Creek, in the mountains of California. I highly recommend the first four books in the series (I have previously reviewed the first two books). This is a great addition to the series. This posits that maybe the shifters of Mad Creek aren’t alone, as we find an isolated clan of dog shifters in the remote wilds of Alaska. These Quickened (“Qimmig”) are descended from Inuit sled dogs. Timo, an emissary of their clan, visits Mad Creek and struggles to understand a culture radically different from his own. In addition, there’s this very sweet St. Bernard shifter who he is starting to have very confusing feelings toward. This is something of a minefield for Easton as there are issues of coping with class differences and of understanding wildly different cultures. I think she navigates them well while still maintaining the lighthearted touch of the previous books. There’s a nice surprise in an author’s note at the end of the book, but I won’t spoil that for anyone!
2018 has come to a close, so now it’s time for me to look back at the year in books. I read (or re-read) 129 books over the course of the year. Of those:
100% were M/M romances
74% were paranormal romances
51% featured shifters (42% featured werewolves specifically)
17% were audiobooks
Looking at my Goodreads ratings, my reviews broke down to:
Rating 5 out of 5 – 40%
Rating 4 out of 5 – 44%
Rating 3 out of 5 – 15%
Rating 2 out of 5 – 1%
Rating 1 out of 5 – 0% (none, actually)
No low ratings? Why is that?
One reason my reviews are as high as they are is that I do lean heavily on Goodread’s aggregate reviews. If a book’s rating is less than 3.70, there has to be something pretty spectacular for me to pick it up. Like Yelp, Amazon or anything else, though, a book has to have a significant number of reviews for any rating to be meaningful. I usually look for at least 100 reviews.
I loved Kris Bethke’s “Requiem Inc.” trilogy. I wrote a detailed review of the first book, and I’m happy to say that the second and third books continued with compelling characters and engaging plotlines. This is a series I will be coming back to as a form of “literary comfort food.”
Sam Burns’ Rowan Harbor Cycle was a fantastic discovery of a new-to-me author. All told the series will be three trilogies; the first two trilogies were published in 2018, and the seventh book is about to come out as I write this (I reviewed the first book, Blackbird in the Reeds, in detail). Burns has created a fantastic setting here, a remote Oregon coastal town secretly populated by all sorts of paranormal folks – witches, shapeshifters, vampires, and more. For the most part, though, they lead pretty normal lives. The dramatic tension comes from outside threats to the town and its denizens. I adore the main characters here. Devon, Jesse, and Fletcher each have a time in the spotlight, and each finds their match who complements them well. With a large ensemble cast it would be easy to get lost in who’s who, but Burns does a great job keeping the focus narrow enough that the reader doesn’t lost, but wide enough to tell a larger story.
I’m way late to the game on this series, but K.J. Charles’ A Charm of Magpies series (I wrote a detailed review of the first book, The Magpie Lord) was a delightful find. I normally shy away from historical romances because of the homophobia that tends runs throughout, and while it exists here it’s in the background. These novels are set in Victorian England, but one in which practitioners (users of magic) are a part of society. The interplay of class friction, social machinations, and evil magic makes for some very enjoyable tales. I listened to these on audio, and Cornell Collins’ narration was spot-on, and his range of accents to denote not only a character’s voice but their class as well was extremely well done.
Austin Chant’s Peter Darling has us exploring what happened next in Neverland, and we find that things are not quite like what we may have read in the tales of Peter Pan. This is a stunning reimagining of Neverland, and touches on gender identity, the lies we tell ourselves, and roles we are forced into by others. This was hands-down the most imaginative and innovative book I read in 2018.
Amy Lane has a knack for creating some wonderful characters and then putting them through the wringer. Her Promises series remains one of my all-time favorites, but the Bonfires series (first book reviewed here) is shaping up to rival that. The main characters are in their forties and fifties, and have established lives and families. The stories of them getting together and creating one big family are just fantastic. Like most of Lane’s books, it’s the characters that I really enjoy, and Aaron and Larx are such a great couple that I really related to. This was another audiobook, performed by Nick J. Russo, whose work with each character’s speech patterns and inflections made some excellent books really outstanding!
The Delta Restorations series by Diana Copland is a lovely contemporary series that I enjoyed on audiobook. Again, great characters help create some compelling stories, with a bit of suspense thrown in.
Annabelle Jacobs’ Regent’s Park Pack series gives us a London in which werewolves are commonplace among humans. Pack politics, true mates, and happily-ever-afters abound. I tore through this series like popcorn, and I think it will hold up for rereading as well.
Ethan, Who Loved Carter by Ryan Loveless was simply stunning. It’s an intimate portrait of two characters in difficult situations, Carter, who lives with Tourette’s Syndrome, and Ethan, who has suffered a traumatic brain injury. This book really made me think about how we view people with disabilities or are just different, and it wasn’t always a comfortable read. Still, it was definitely one of the most enlightening books of 2018 for me.
By Fairy Means or Foul by Meghan Maslow (reviewed here) was an enjoyable goofy romp in a farcical fantasy world. Greg Boudreaux’s narration of the audiobook was brilliant!
Finally, In This Iron Ground by Marina Vivancos (reviewed here) was a werewolf novel where the werewolves more incidental than central to the plot. It’s a difficult story of a boy, Damien, growing up in the foster care system and learning to deal with abuse and the aftereffects. He finds a family who offers him escape and healing. That they are werewolves is almost peripheral, except that it introduces a kind of otherness that separates them from Damien. This was a deeply emotional book, and a very well-written one at that.
That’s the best of 2018 for me! Here’s looking forward to
more wonderful books and stories for 2019.
Holden Bancroft was born with a better than average brain and not much else. Often described as strange and sickly, his attempts to conform only made him look foolish and a life-long diet of pills hasn’t provided a cure. Deciding to strengthen the only tool in his arsenal was liberating and learning became his greatest joy. But each episode is another reminder that his time is limited, and Holden intends to use everything he’s learned to help the small town of Hope before he dies.
Alpha Crowley Lomond, Zenith of the Americas, isn’t exactly happy with his ascension. Leading isn’t the problem, it’s acting like he’s somehow better than every other shifter that chafes. But while living and working beside them may seem noble, Crowley is more than just an alpha. As Zenith, he’s their example, their teacher and guide, and the one they will turn to when their way of life is threatened.
Meeting changes them in ways they never could have predicted and unveils a web of deceit that began long before they were born. Together, they will have to unravel the lies and reconcile the consequences if they are to protect the shifter way of life. Along the way, Crowley will become the Zenith his Kindred was born to love and their enemies will learn that there’s nothing more dangerous than fated mates.
Rating: 3.5 out of 5
Jessie G. has created a fascinating setting. After a war between shifters and humans in the middle of the 20th century, and uneasy peace has been established, but shifters are definitely in the minority. The present-day setting of the story is a nice twist on the reality we know with specific differences due to the world’s history that make the reader want to know more. The story unfolds to include a worldwide conspiracy, a prophecy, and hints of great things occurring as each of the three Zeniths find their Kindred, their soul mate.
Let’s see, we have:
☑️ Fated mates
☑️ “You’re actually a shifter!” (oh come on, that can’t possibly be a spoiler)
This should have been right up my alley. What happened?
The first problem is pacing. The story starts off quickly, reaches a critical point, and…bogs down in exposition. From there the story lurches along, bouncing jarringly from action to exposition. I get that there is a whole lot of world-building going on here and that a lot of the exposition is necessary, but some of that might have been better shown than told.
The other problem that I had was that while I had a good handle on Holden as a character, his background, and what his motivations might be, Crowley was less clear. We find out more about his background late in the story, but by that point I was frustrated and confused. Finally, a couple of plot points seemed to get muddled and I was left at the end of the book with a lot of unanswered questions unrelated to any promise of sequels.
That all sounds pretty harsh, but probably only because I wanted this book to be better than it was. There’s a lot of great stuff here: a fantastic setting, interesting conflicts between shifters and humans (and others!), and intriguing characters. It just didn’t quite come together as well as I’d hoped. Will I pick up the sequel, though? Absolutely. I’m very interested to see what Jessie G. has in store for this world!
Damien is nine years old when his parents die. What should have been the worst moment of his life begins a journey shadowed by loneliness and pain. The night of a full moon, four years and seven foster homes later, Damien flees to the forest, desperate to escape everything.
Instead, he finds the Salgado pack, and the earth beneath his feet shifts. Damien has seen the Salgado children in his school: Koko, who is in his class, and Hakan, two years older and infinitely unreachable. Damien is suddenly introduced into a world that had only ever existed in his imagination, where there is magic in the forest and the moon. He meets creatures that look like monsters, but Damien knows that monsters have the same face as anybody else.
Over the years, Damien and Hakan grow closer. First, just as friends and foster brothers in the Salgado house, and then into something heated and breathless when Damien joins Hakan at college. Despite what he may yearn for in the darkest part of the night, Damien knows, deep down in that bruised and mealy part of his core, that he’s not good enough to be part of the Salgado family, their pack. He’s not worthy of calling Hakan his home.
Even though he knows in the end it’ll hurt him, he’ll hold onto this for as long as he can.
This is one of those books that’s something of a rough read, but in the end is so, so worth it. Young Damien is a pawn of the foster care system. He bounces from home to home, then the bad situation is made worse when he is placed with a foster carers (not parents, never parents) who don’t know how to deal with a rambunctious 13-year-old, and resort to abusive behavior to keep him from upsetting their lives too much. This is so painful to read, as we see Damien taught that this is all he is worth, an afterthought, an outcast. Hope is the enemy because it only brings pain.
The story is told from Damien’s point of view, and the matter-of-fact statements of his own low estimation of his worth are made all the more visceral by this. The other characters are defined through Damien’s eyes. Seeing them change over the years, how the relationships with his family and friends change, and how this affects Damien are a big part of the story.
Surprisingly, the fact that the Salgados are werewolves is almost peripheral to the overall story, though it brings profound definitions of family, belonging, and spiritual balance into stark reality. Damien’s matter-of-fact acceptance of werewolves is amusing, rationalizing that werewolves are good or evil as much as humans are good or evil – the definition is in their actions, not their being. His isolation is emphasized, though, as he feels that as a human, he is a friend of the pack but can never truly be a part of it.
Vivancos’ writing can be straightforward, but in some of Damien’s early trauma the writing is almost impressionistic, leaving the reader as unsure of reality or fantasy as Damien is. The extended passages of a college-age Damien speaking with a therapist as he strives to find personal balance are absolutely spot-on. Honestly, I recognize some approaches and techniques I’ve discussed with my own therapist (though for very different reasons). This really made the book personal for me, and is one of the reasons I loved it so much. The fact that the ending made me cry (in a happy way!) didn’t hurt either.
I highly recommend this book. It can be a rough ride emotionally, but the journey is absolutely worth it!
Ten years ago Sheriff’s Deputy Aaron George lost his wife and moved to Colton, hoping growing up in a small town would be better for his children. He’s gotten to know his community, including Mr. Larkin, the bouncy, funny science teacher. But when Larx is dragged unwillingly into administration, he stops coaching the track team and starts running alone. Aaron-who thought life began and ended with his kids-is distracted by a glistening chest and a principal running on a dangerous road.
Larx has been living for his kids too-and for his students at Colton High. He’s not ready to be charmed by Aaron, but when they start running together, he comes to appreciate the deputy’s steadiness, humor, and complete understanding of Larx’s priorities. Children first, job second, his own interests a sad last.
It only takes one kiss for two men approaching fifty to start acting like teenagers in love, even amid all the responsibilities they shoulder. Then an act of violence puts their burgeoning relationship on hold. The adult responsibilities they’ve embraced are now instrumental in keeping their town from exploding. When things come to a head, they realize their newly forged family might be what keeps the world from spinning out of control.
Rating: 5 out of 5!
This was such a great book, and the audiobook was a treat! Amy Lane excels with stories of gentle courtships and characters who are willing to overcome initial awkwardness to create a beautiful relationship. The fact that these two are approaching 50 speaks to me, and Lane nails the confusion at feelings of attraction and romance, thought left behind decades ago, which are suddenly a part of their lives again. I also appreciate that she avoids the awful “Gay For You” trope (“I have never been gay until I met you!”), despite having main characters who are heterosexual to all outside appearances.
Larx is the one with the most to lose. He’s deeply closeted, being a high school principal in a small town. It becomes apparent that he has quite a bad-boy history behind him and the fact that he has (unwillingly) risen in the school administration is amusing. He is usually diplomatic and deliberate, but when crossed he’s not afraid to fight. He is everything I would ever want in a teacher – smart, thoughtful, and empathetic. In other words, outstanding boyfriend material as well!
Aaron is a widower who has had ten years of recovering from his beloved wife’s passing (a personal side note: I hope I am in as good a place ten years on). He has a quiet life, a good job, and a steady routine. The sheriff is thinking about retiring and thinks Aaron would be the best candidate for the job. He’s always known he was bisexual, but never really acted on it. Suddenly he has found someone who pushes all of his buttons, and watching him work himself up to confront Larx is funny and sweet. When Larx’ wild side comes out, rock-steady Aaron is the perfect foil.
And then there’s the rest of the cast, and there are quite a few! I adored that the teenagers, Aaron’s Kirby and Larx’ Christiana, aren’t just window dressing, but smart, funny kids who play an important part in the men’s lives. Yoshi, Larx’ vice principal and best friend, is a complete smartass, and a welcome sounding board. Sherriff Mills, Aaron’s boss who supports him in all things, is a voice of reason and support who is there when Aaron him.
As in other of Lane’s books (especially the Promises series, which I loved), there’s a whole lot going on in the background, from small-town racism and homophobia, to students on the cusp of coming out, and a murder mystery as well. It all ties together nicely in the end, and while some of the drama is slightly overwrought the rest of the story was so good I had no problem with it.
This is the first audiobook by Nick J. Russo that I’ve listened to and it certainly won’t be the last! His delivery and intonation is perfect for the story, keeping the individual voices of the characters separate and easy to identify, and really capturing the individual speech patterns and inflections. His work made an excellent book really outstanding.
This is easily one of the best books I’ve read/listened to this year. The great, relatable characters and excellent performance make this an easy book and audiobook to highly recommend.
The last thing half-dragon, half-fairy private investigator Twig Starfig wants to do is retrieve a stolen enchanted horn from a treacherous fae, but there’s no denying the dazzlingly gorgeous unicorn who asks Twig to do just that. Literally, no denying, because compelling the reluctant detective is all part of a unicorn’s seductive magic.
To add to his woes, Twig is saddled with the unicorn’s cheeky indentured servant, Quinn Broomsparkle. Dragons are supposed to want to eat humans, but Twig’s half-dragon side only wants to gobble up Quinn in a more . . . personal way. Making matters worse, it’s obvious the smokin’ hot but untrustworthy sidekick is hiding something. Something big. And not what’s in his trousers. In the PI business, that means trouble with a capital Q.
Throw in gads of zombies, a creepy ghost pirate ship, a malfunctioning magic carpet, and Twig’s overbearing fairy father’s demands to live up to the illustrious Starfig name. Naturally, an old but abiding enemy chooses this time to resurface, too. Those inconveniences Twig can handle. The realization he’s falling for a human who isn’t free to return his affections and whose life may hang on the success of his latest case?
I went into this one with some trepidations. The blurb is pretty over-the-top, after all. As far as it goes, it’s pretty true to the book, but it leaves out something that makes it all worthwhile: the fact that Maslow has created characters with some terrific depth that the reader really comes to care about. Once you roll with the farcical fantasy elements (and there are more than enough of those here!) you get one hell of a fun story.
The story is told by Twig, and I really liked that we see the world through his eyes, with elements of discrimination and injustice that he doesn’t like but just has to live with. His family history and the decisions he’s made to this point in his life make him a fascinating character, balancing between two worlds yet never fully a part of either.
Then we have Quinn, who has So. Much. Sass. He starts out in a terrible situation, and the more we learn about him the more we cheer for him, and for Quinn and Twig as a couple (uh, spoiler alert? Yeah, not remotely). The two play off each other perfectly, and the recurring themes of personal independence and control only serve to highlight the chemistry between the two. Although the antagonist characters are paper thin, the supporting characters that Twig and Quinn meet along the way make up for it.
As for the overarching story, there’s not a whole lot of mystery; rather, things are episodic as in a typical fantasy quest. Maslow does have a lot of fun with the usual fantasy tropes, leading the reader often to assume things about places or characters that turn out to be less than accurate. As I was reading this I couldn’t help but be reminded of Glen Cook’s Garrett Files series and while there are some similarities the depth of the characters in By Fairy Means or Foul make this a much more enjoyable and interesting book. I look forward to seeing more in this series!
As for the audio, Boudreaux thoroughly nails this one. Twig’s narration is in a deadpan, Patrick-Warburton-esque tone that fits the story perfectly. Quinn’s nervous tenor voice offsets Twig nicely, and the variety of accents used for the cast of characters makes each one unique and easy to follow. The best parts of Boudreaux’s performance were the verbal idiosyncrasies and changes in tone and inflection that don’t always come across in the written word, but are employed perfectly here. He takes a fun and engaging story and elevates it further into something really enjoyable. I’ll definitely seek out his work again.
If you’re looking for an enjoyable book with some great characters that doesn’t take itself too seriously, this is the one. The audiobook makes it even better and I recommend it highly!
Shy tattoo artist Ash has a troubled past. Years of neglect, drug abuse, and life on the streets have taken their toll, and sometimes it seems the deep, unspoken bond with his lover is the only balm for wounds he doesn’t quite understand.
Chicago paramedic Pete is warmth, love, and strength – things Ash never knew he could have, and never even knew he wanted until Pete showed him. But fate is a cruel, cruel mistress, and when nightmares collide with the present, their tentatively built world comes crashing down.
Traumatic events in Pete’s work life distance him from home, and he doesn’t realize until it’s too late that Ash has slipped away. Betrayal, secrets, and lies unfold, and when a devastating coincidence takes hold, Pete must fight with all he has to save the love of his life.
I have been captivated by Michael Lesley’s audiobook work in the past, and I also have been meaning to check out Garrett Leigh’s writing Throw in the fact that it’s set in Chicago, a city I know and love, and choosing this was a slam dunk. I’m glad I picked it up, but in the end the book was a mixed bag for me.
There’s a lot of difficult reading/listening here, with themes of abuse, mental illness, and self-harm. That said these characters are compelling and you want to know more about them every step of the way. Pete a sweet, thoughtful guy, if a bit too married to his work as an EMT, and sometimes absolutely terrible at communicating his feelings. And Ash? Ash is a hot mess, though justifiably so with a traumatic personal history that he will never be able to let go of. Leigh doesn’t sugar-coat Ash’s problems, but also presents them in a clear and sensitive manner.
The story unfolds slowly and we see the undeniable attraction between the two main characters, though Pete has to approach Ash slowly and tentatively. The metaphor that comes to mind is how one might approach a feral stray dog or cat, and the parallels are certainly obvious. Once the connection between them is made, they are damn hot together. In fits and starts, they build a life together, until…well, stuff happens.
So why didn’t this book wow me? Usually I can point to one thing, but in this case, it was a collection of small annoyances in logic and overwhelming coincidence that bogged me down. Couple that with the fact that the pace was almost too slow, and those faults seemed to get magnified as the book progressed. And, I’ll admit, one of those petty annoyances was that Leigh is clearly not that familiar with Chicago, as references to the city geography were generic and frequently missed the mark.
As for the audio performance, Lesley once again knocked it out of the park. He captured the light Texas lilt in Ash’s voice perfectly. Pete was a bit more generic, but that may because I’m just used to the flat Midwestern accent. Each of the supporting characters had a distinct and specific sound, and it was always easy to tell who was talking. So why didn’t I love it overall? As I would assume would be normal for audiobook production, the recordings were clearly made over multiple sessions. Unfortunately, each of those sessions had a different tonal character, and the changes in dynamics of the narration between chapters and even between paragraphs were jarring and distracting, taking me out of the story completely.
Despite the difficult subject matter, this is a good book that would probably be enjoyable to someone more tolerant of minor annoyances (or with no knowledge of Chicago).
Ten years after leaving his small Minnesota hometown in his rearview mirror for what Nolan Grainger was sure would be the last time, life has decided to throw the talented musician a curveball and send him back to the town he lived in but was never really home.
At twenty-eight, Nolan has traveled the world as a successful concert violinist with some of the best symphonies in the country. But success breeds envy, and when Nolan’s benefactor and lover decides Nolan has flown high enough, he cruelly clips Nolan’s wings. The betrayal and ensuing scandal leaves the violinist’s career in shambles and with barely enough money to start fresh somewhere beyond his vindictive ex’s powerful reach. But just as he’s ready to get his life back on track, Nolan gets the call he’s been dreading.
After a stroke leaves his father a partial invalid, duty-bound Nolan returns to Pelican Bay and a life he’s spent years trying to forget. When he’s forced to use the last of his own money to keep from losing the family home, desperation has him turning to the one man he’d hoped never to see again…
Pelican Bay’s golden boy, Dallas Kent, had the quintessential perfect life. Smart, gorgeous, and popular, the baseball phenom was well on his way to a life filled with fame and fortune. But more importantly, he had a one-way ticket out of Pelican Bay and far away from the family who used love as currency and whose high expectations were the law of the land. But a stormy night, sharp highway curve and one bad decision changed everything, leaving Dallas with nothing.
Because the accident that took his parents, his future and his crown as the boy who could do no wrong, also stole his voice. Despised for the horrific wreck that ended the lives of two of Pelican Bay’s most respected residents, Dallas has retreated to a secluded stretch of land where he’s found refuge in a menagerie of unwanted animals that don’t care that he once had the world at his feet or that he’ll never speak again.
But when the quiet, bookish boy he wasn’t allowed to notice in school suddenly reappears ten years later at Dallas’s wildlife rehab center in desperate need of a job, Dallas is thrust back into a world he’s worked hard to escape. Dallas’s silence was supposed to send Nolan scurrying, but what if Nolan ends up being the one person who finally hears him? Will two men who’ve been fleeing from the past finally come home to Pelican Bay for good or will the silence drive them apart forever?
Wow, I found so much to love about this book! Nolan and Dallas are such rich, complex characters, and watching the interplay between them melted my heart. They both proud men who have had everything taken from them. Seeing them strive to retain and regain dignity really struck a chord with me.
That’s one heck of a long blurb, and really it pretty much lays out the majority of the story for you. Given that this is a character-driven book, though, that’s OK. There’s a lot of themes explored here, especially bullying, relationships between parents and children, how to deal with old wounds (both physical and emotional), and redemption. Kennedy handles these well, and they help creates the layers of the characters’ personalities.
Nolan’s meteoric rise after escaping his hated hometown speaks to a gifted child’s huge aspirations, and it makes his abrupt downfall and return that much more painful. I really felt for Nolan and the bullying he endured. Dallas’ own fall from grace takes place off-page, but his isolation and loneliness shows through. He struggles to make himself heard and understood, but when he speaks to Nolan from his heart the communication barriers fall away.
The small town of Pelican Bay is a bit stereotypical, and the antagonists may as well be twirling their mustaches and cackling in evil glee, but that’s a minor nitpick since the focus of the story is on Nolan and Dallas. Toward the end the pacing of the story stumbles a bit as new characters are introduced and the setup for the sequel is put into place, but even so those new characters are intriguing in their own right, and you’re damn right I’ve already bought the next book! The ending of the Locked in Silence had me in happy tears, which is always a good sign that the author has done a wonderful job.
This is a great contemporary novel about two complicated, caring men who have their own struggles but find that they are stronger together. I happily recommend this one!
Nick Perry is tired of helping people with their marriages, so when a spot opens up to work with teens at Camp H.O.W.L., he jumps at it. He doesn’t expect to fall in lust with the dreamy new camp doctor, Drew Welch. But Drew is human, and Nick has seen secrets ruin too many relationships to think that a human/werewolf romance can go anywhere.
Happy-go-lucky Drew may not sprout claws, but he’s been part of the Were community all his life. He has no trouble fitting in at the camp—except for Nick’s stubborn refusal to acknowledge the growing attraction between them and his ridiculous stance on dating humans. Fate intervenes when one of his private practice patients threatens Drew’s life. Will the close call help Nick to see a connection like theirs isn’t something to let go of?
Normally when I review books in a series I’ll only review the first book, on the assumption that there are characters, settings, or references from the first book that make later books difficult to enjoy without having read the books in order. In this case, I’m starting with book 2 for two reasons: one, that with the exception of throwaway references to side characters, this can be read first, and two, the second book is really so much better than the first!
In this world, werewolves are in a parallel but hidden part of modern society. A small number of humans know of the existence of werewolves, usually those adopted into packs. The first transition from human to wolf normally occurs around puberty, and its effects on emotions and self-control are just as dire as puberty itself. Posh camps like Camp H.O.W.L. exist in remote areas to help teens from more affluent families ease through their first change.
This is a fun setting, and the focus here is on the Camp H.O.W.L. staff. The sparks between Nick and Drew fly from the very first pages of the book, but there is an interesting tension because Drew is ready for a serious relationship, but Nick feels that humans are werewolves are just too different and a relationship is destined for failure.
The characters are what really won me over in this book. Nick is a psychologist who is damn good at his job, but tends to see everything through the lens of his professional opinions. He’s never provided counseling to a human/werewolf couple, but has for many human couples and where huge differences exist the relationships fail. Drew is a complicated guy with a checkered sexual history. He’s also generous and patient, and willing to wait for Nick to work through his hangups.
I have a few minor complaints about the ending of the book but overall, I really enjoyed it. Great setting, great characters, and a couple of very sexy scenes too! This is a great read for some low-angst werewolf fun.
Manny Brenden Torrance is good at his job. He’s dealt with all sorts of children and parents, but he’s never met anyone as intriguing as Liam Whitehouse. Liam is a scientist with three kids, whose job is keeping him away from home more and more. That’s where Brenden steps in to help.
Liam has secrets, though. He’s working on a project for a pharmaceutical lab that could change disease management. Or destroy it. While he and Brenden start a romance they both want to continue, things at Liam’s job come to a head, and suddenly the whole family of Dad, manny, three kids, and a big drooly dog is on the run from the one thing that might keep Brenden and Liam apart. And infect the world.
I’ll start this by saying I have never been one for horror of any kind, including zombie books and movies. The suspense and jump-scares drive my anxiety way up, and I have absolutely no stomach for gore of any kind. So this puts some of my criticisms of this book into the “It’s not you, it’s me” category. If I didn’t have a subscription to the Dreamspun Beyond line I’m really nto sure I would have picked this up on its own.
To the good, I am a complete sucker for Julia Talbot’s writing. I’ve loved her Nose to Tail, Inc. books (Wolfmanny is pure comfort food), and I thought Fangs and Catnip was adorable. Some say her style can be a bit choppy, but I think it matches the way people think and talk, so it works for me. I really liked the characters of Liam and Brenden, though we get a much better picture of the latter than the former. The kids are relegated to smaller roles but we know enough about them that everything fits together.
I think my fundamental problem with this book is that it is limited by the Dreamspun Beyond line itself, which is geared to light and fluffy paranormal romances with happily-ever-afters. Not exactly a good fit for a zombie-outbreak book, in my opinion. By necessity the important but gritty details get glossed over. We spend almost half the book on the setup, then the second half moves entirely too quickly, both in the zombie storyline and in the romance between Liam and Brenden, who profess enduring love after only a few weeks of knowing one another.
So I’m left in a weird place: maybe double the length of the book and give all of these elements the time they are due, but in doing you’d have a book I’d have pretty much zero interest in (and may need a different publisher completely). Go figure.
This is a quick read, and Talbot’s writing is always engaging. If the synopsis sounds like something you’d enjoy then give this one a shot. It just didn’t work for me.
Exiled to China for twenty years, Lucien Vaudrey never planned to return to England. But with the mysterious deaths of his father and brother, it seems the new Lord Crane has inherited an earldom. He’s also inherited his family’s enemies. He needs magical assistance, fast. He doesn’t expect it to turn up angry.
Magician Stephen Day has good reason to hate Crane’s family. Unfortunately, it’s his job to deal with supernatural threats. Besides, the earl is unlike any aristocrat he’s ever met, with the tattoos, the attitude… and the way Crane seems determined to get him into bed. That’s definitely unusual.
Soon Stephen is falling hard for the worst possible man, at the worst possible time. But Crane’s dangerous appeal isn’t the only thing rendering Stephen powerless. Evil pervades the house, a web of plots is closing round Crane, and if Stephen can’t find a way through it-they’re both going to die.
Story: 4.75 out of 5 Audiobook Performance: 5 out of 5
I’m normally not one for historical romances, particularly those set in Victorian England, due to the inescapable undercurrent of homophobia that is typically part of the story. K. J. Charles’ incredible writing got me past that though, and I’m very glad! We have some memorable characters here, as well as a good bit of dry wit, and some very steamy encounters! This England is very similar to our historical one, except here magic (as used by “practitioners”) exists, though it is not particularly common.
In the character of Lord Crane, Charles has created someone who completely breaks the mold of the Victorian upper class. He is a tradesman (gasp!) with an egalitarian outlook and very little patience with the fripperies of the noble class. Crane is aided by his manservant Merrick, who can equally serve a cup of tea or break a man’s legs, as needed. Stephen Day is from a different world entirely. His family was of modest means until their fortunes were destroyed by Crane’s father. He now earns a meagre living as a justiciar, the small police force charged with keeping practitioners in line. He is a deeply intelligent man and a powerful practitioner, though one would not think so to look upon him. Much of the action takes place at Piper, the Crane family home in the country. It is a bleak and oppressive place, almost a character itself as it provides an absolutely perfect setting for the shadowy doings menacing Crane and Stephen.
What really struck me about this book was the story structure and plotting. Just when it seems all mysteries have been wrapped up we find there are more to be unraveled, and when the final plot is laid out it is stunning in its intricacy. This is great writing, and this is what is keeping me coming back for more (I am working my way through the series and they are all excellent so far!).
The audiobook is by Cornell Collins (a pseudonym of the very talented Matthew Lloyd Davies), whose performance took an excellent story and elevated it further. His British accent alone is a good fit, but the variation of accents by the class of the character (from street urchin to lords and ladies) brings the story to life and make these characters relatable. Collins/Davies’ work is one of the best audiobook performances I’ve heard so far, and I really enjoyed it.
It is notable that the sex scenes in this book have elements of dominance and submission. While that’s not usually my thing, they are written with a sensitivity and care that help the reader understand where the motivations are coming from. I was able to sympathize…and also enjoy the scenes because they are damn hot!
If you like intricate plots, complex characters, and paranormal romance, this is absolutely the book for you! I would recommend this one highly.
Cop-turned-bounty-hunter Gabe Dominguez is hired to capture firestarter Nat Wyatt. For a dragon-shifter like Gabe, apprehending Nat is easy, but transporting him involves more time, energy, and blood loss than he envisioned. An attack from a band of fairies, an out-of-control forest fire, and a showdown at an auction don’t faze Gabe, but Nat’s innocence might stop him entirely.
Since discovering his abilities, Nat’s lost a best friend, a boyfriend, and trust in his brother. Only his love of concerts and card games get him through life without a home. Rumors of the Judge, a giant dragon who once destroyed half of Canada avenging those he loved, provide Nat with hope of vindication. When Nat discovers his captor is the Judge, he thinks he’s finally caught a break. Through late-night conversations and a shared love of music, Nat tries to convince Gabe he’s not guilty.
Can Gabe continue his cutthroat lifestyle, or will he run away with his dragon hoard like he’s always longed to do? Can Nat escape his legacy, or will his be another spark snuffed out by people who don’t understand? The Oracle, the most powerful wizard in Canada, might be the only one who can provide answers.
This one was good enough that I’m fighting off the dreaded book hangover. At 335 pages, it’s a long read but I never felt it was getting bogged down. The blurb does the book a bit of a disservice, highlighting some odd portions of the plot, but the core of it is right at least.
At its heart the story is an epic road trip through the Canadian prairie provinces, from Winnipeg to Calgary, only in this world rampaging bands of murderous faeries, elementals, gargoyles, and more. Having recently made that journey myself, I really enjoyed the sense of place (or given the emptiness of a lot of that area, the lack thereof).
Gideon has created a fascinating world where the “supernaturals” who have always been lurking out of sight are now an open part of society, even if they are usually marginalized. This is a character-driven story, though, and this is where things really shine. Gabe and Nat are complicated people with complicated histories. The point of view alternates between them as the story progresses, and as we learn more about each their biases, desires, and fears take on added dimension. What really struck me about Nat was, even though he harbored some small hope of a different outcome, he’s resigned to his fate. Instead he mostly is just himself, not begging, pleading, or putting on an act for Gabe. This is likely a good thing because Gabe has seen way too much, and would turn away in an instant if that were the case. The relationship between Nat and Gabe is a slow burn (sorry) but as they sort things out and realize they can rely on one another the caring they have for each other shines through, and is incredibly sweet.
There are a lot of small details that I loved about this book, including Nat’s Tarot-cards and “game” which give us great insight into how his mind works. The side characters are fantastic as well, especially the lovely couple Tansy and Imogen, Gabe’s fixer “J”, and even Gabe’s boss Duke, who interacts by text message most of the book. One other thing I loved about this book is that it is very trans-inclusive. Trans characters are presented in a very matter-of-fact manner, exactly as it should be.
This is a great book with some amazing characters, quite well-written. I happily recommend it!