Series Rating: 5 out of 5!
Once upon a time, there was a pandemic.
No, not that pandemic, this is different.
The arcanavirus was incredibly infectious. It was fatal for 11% of the world. For the majority of people, though, it merely caused mild flu-like symptoms. But a small percentage of those affected came out…changed. For some, they became Arc-humans, endowed with powers of telekinesis or speaking with the dead. Others became Arcanids – orcs, vampires, ghouls, elves, or shapeshifters. The transition for them was horrifically painful, and many didn’t survive it. And even if they did, they emerged into a society that ostracized them.
There has been no known vaccine or cure for the arcanavirus since it first appeared 30 years ago so it lingers in society, creating a need for masks, hygienic precautions, quarantines, and testing in the event of exposure.
This intriguing setting is the basis for K.M. Avery’s Beyond the Veil series. It is (to date) comprised of three trilogies, with one more promised. Each trilogy is centered on one couple, though the different characters make appearances throughout the series. Although the trilogies can be read out of order (I actually started on Book #4 first), I think they are best read in order since the events mentioned throughout the books take place in a chronological order.
Taken as a whole, these books stood out to me in a couple of ways. For one, the characters don’t have “plot armor”. Bad shit happens to them, and they have to deal with the ramifications of that. That’s almost refreshing, really. Issues of discrimination, identity, and privilege come into play in fascinating ways. The other thing is that you spend a lot of time in the narrating characters’ heads. Like, a lot. For me, this is a wonderful thing, though. I enjoy character-driven stories and I enjoy arcs that show the character growing and working through the things they have learned.
I also love how Avery uses the location of the stories in real places to provide a grounding in reality which tinges what is going on. The first five books are set in Richmond, Virginia and while I am not too familiar with the city I know some of the places mentioned (Shockoe Bottom, Short Pump) which added a lot to the story. Books 6 through 8 take place (mostly) in Shawano, Wisconsin, a very real small town about an hour northwest of Green Bay. Avery describes small-town Upper Midwestern life absolutely perfectly, right down to the Culver’s addictions and laconic locals.
Books 1 through 3 (The Ghost in the Hall, The Boy in the Locked Room, The Skeleton Under the Stairs) focus on Ward and Mason and take place in Richmond. These are more plot-driven, with some fun mysteries, interesting characters, and great plot twists. They’re the most fast-paced of the books, I think. Ward, the narrator for this trilogy, is a sweet guy who has to deal with a lot of problems as the story goes on. I was really cheering for him.
Books 4 through 6 (The Dog in the Alley, The Bones in the Yard, The Elf Beside Himself) are where I really started to love this series. Here we meet Hart and Taavi, a very different couple. Hart is the narrator in these, a tall, achingly beautiful elf with a mouth like a sailor with some of the most creative uses of the word “fuck” that I’ve ever read. The Dog in the Alley is a fun read because Hart is playing off Taavi, who is a shifter stuck in his dog form (a Xoloitzcuintle, or Xolo dog). Avery does a great job drawing Taavi’s character clearly even though his methods of communication are limited. I also want to call out The Elf Beside Himself because it is a tour de force showing how people work through grief, and how someone’s loved ones carry on if they are suddenly taken away. It is at times oppressive, but I can say that the depictions of grief are spot-on, and really struck a chord with me.
Books 7 through 9 (The Turning of the Tables, The Badger in His Burrow, The Past in the Present [coming later this year]) change the setting up as the story moves to Shawano, WI. Here, we see Seth and Elliot (a badger shifter) as they engaging in a will-they or won’t-they game of relationship chicken. This is where the character-driven aspects really kick in. Seth is kind of a mess of anxieties and insecurities, but we are in his head enough to know exactly why, and what his motivations are. There are mysteries going on in the background, but the characters are front and center, and I kind of loved that. Seth and Elliot’s final book will take them to Southwest Virginia, where I went to graduate school. I know what the small towns there are like, and am really looking forward to Avery’s depiction of them.
I listened to the first six books on audio (1-3 by Daniel Henning, 4-6 by Declan Winters) and both narrators did a fantastic job. Winters’ voice of Hart brings a lot to the character, and hearing him going off on a cursing rant was pretty damn funny. I’ll note parenthetically that all six of these audiobooks are available on Hoopla, if your local public library has access. There are no audiobooks for Seth and Elliot’s books yet, but when they come available I’m certain that I will listen again to see how it matches how I voice the characters in my head.
These books are ostensibly m/m romance, and while they do involve romantic elements (and a few spicy scenes in most books), I would say they are more urban fantasy with romantic elements. This series captures so much of what I love in a book – fun premise, interesting setting, great characterizations and motivations, and more. I highly recommend it!



























































































